Shaken by a director change up and an extended shooting schedule, the untitled young Han Solo film has been quietly gaining some good PR thanks to new director Ron Howard’s teases over social media. And now we can call it something other than untitled Han Solo, because thanks to the film wrapping production, it finally received an official and unsurprising title: Solo, which is still scheduled for May 25, 2018. Check out some of Mr. Howard’s recent photos and reveals from the set below, along with some other updates! Continue reading “Han Solo and the Title Gambit: Solo – A Star Wars Story”
If you have ever wished that you could know more about a film than would ever be necessary, then Pablo Hildago has an incredible gift for you. Rogue One: The Ultimate Visual Guide contains a galaxy’s worth of knowledge within its pages, giving a depth to Rogue One’s lore that makes it feel like a franchise all its own.
Recently, massive multi-media pushes have accompanied everything from films to new TV shows to video games. Battlefront was accompanied by the Twilight Company novel, while Rebels gained a little supplementary material from My Rebel Sketchbook. The Force Awakens got two supplementary young reader’s books: both Rey’s Survival Journal and Poe Dameron: Flight Log, or even retellings such as Finn’s Story. Similarly, Rogue One released alongside the Rebel Dossier. How does this dossier stack up against the previous supplements?
Whether or not you liked The Force Awakens’ comic adaptation (we weren’t that big of fans of it here at the Manor), there’s a whole new creative team behind Rogue One: A Star Wars Story’s adaptation, with Jody Hauser as writer and Emilio Laiso (Star Wars Annual #2) on artist duties. You can look for it in comic shops with issue #1 starting in April, but before then, you’ll find below that I’ve looked into Hauser’s past works (and mention how she fits into my hopes for 2017’s comics) and what Laiso means for the story as an artist. Continue reading “You Can Read the Rogue One Comic Adaptation in April…the Captain Said So”
Even if a lot of fans aren’t particularly interested in a young Han Solo tale (including myself since we’ve been down the well before), it’s impossible to stay jaded against it now with the cast they are assembling and the creative team behind the endeavor. Woody Harrelson is the latest to join the film, following other big stars like Donald Glover (as a young Lando Calrissian) and Emilia Clarke (her role’s yet to be announced). Now am I not only excited for the film, but it’s beginning to feel like it might be a great gateway drug to Star Wars fandom for more casual or new fans. Continue reading “Woody Harrelson Joins Donald Glover and Emilia Clarke For Young Han Solo Standalone Film”
(I met Elliot Marsh and his wife Felicia at Celebration Anaheim in 2015 and managed to stay in contact despite them living across the pond in England. At Celebration Europe 2016 I got to spend some good quality time with these two wonderful Star Wars fans and have been good friends with them ever since. This is Elliot’s first post for the Manor, so show him how the Force is with us and how we’re all one with the Force as Star Wars fans over on Twitter @despecialised!)
It’s still a bit of a mystery why Academy Award winning composer Alexandre Desplat (The Grand Budapest Hotel, The King’s Speech) was suddenly removed from his duties on Rogue One in September 2016, just three months before the movie opened. Whatever the reason given (and “scheduling difficulties” was the official explanation offered by Lucasfilm) Desplat’s replacement Michael Giacchino (Lost, Star Trek Into Darkness) apparently had only four and a half weeks to compose his Rogue One score. His musical challenge: to answer the same question no doubt also then burdening director Gareth Edwards – how to break new ground in the Star Wars franchise with these standalone movies, without alienating a passionate fanbase? Continue reading “Soundtrack Review: Rogue One: A Star Wars Story”
In 2015, Alexander Freed wrote Battlefront: Twilight Company, a great novel unfortunately surrounded by the Journey to The Force Awakens imprints and the actual movie itself in December. Despite it’s low-key status, Twilight Company may be one of the canon’s most solid novels. How does Freed stack up when adapting a movie to a novel? Continue reading “Canon Novel Review: Rogue One: A Star Wars Story”
This is the crossover you’ve been waiting for: Saw Gerrera, voiced by Forest Whitaker, who portrays the character in Rogue One: A Star Wars Story, will be coming to Star Wars Rebels’ third season in a special two-part midseason premiere airing January 7. There’s now a second video for the premiere, cutting in footage of RO and the new episodes, below. Continue reading “Saw Gerrera Re-Animated in Star Wars Rebels’ Mid-season Three Premiere (UPDATED)”
— Spoiler-Free and Spoiler-Filled Reviews —
Rogue One: A Star Wars Story, directed by Gareth Edwards, is Star Wars like you’ve never really seen it before, but it still feels, looks, and sounds like it. This is the film’s greatest strength, as it takes what you already know about a galaxy far, far away and tells a new story through a different lens, providing plenty for long-time fans and relative newcomers to feast on and enjoy. It isn’t all perfect of course, like its slow but jumpy start and its great cast might not get all the time they deserve, but it’s a great benchmark for the A Star Wars Story line of films and a rousing kickoff to the venture. Continue reading “Movie Review: Rogue One: A Star Wars Story”
– Spoiler Review –
Catalyst: A Rogue One Novel, written by James Luceno, is an important prequel to Rogue One: A Star Wars Story, as it charts the earliest days of the Death Star, how important the parents of Jyn, Galen and Lyra Erso, are to the project, and just how Orson Krennic fits among what we already know regarding the superweapon. While it might lack a lot of action, its true strength distracts from that omission: the fully-realized, well-written, and engaging characters and their interpersonal relationships. The tale of Catalyst feels complete, even though the ending is obvious from lightyears away, but as the saying goes, “It’s about the journey, not the destination,” and that is truly what makes this novel such a great read, prequel status to Rogue One notwithstanding. Continue reading “Canon Novel Review: Catalyst: A Rogue One Novel”