Having opinions is nothing new, but rarely will you get to hear the thoughts and opinions from members of the service-staff caste (they mostly have to hear yours!). They’ve seen all sorts of interesting events, mostly too devious to share, but those which can be shared safely with the public can be found here. Check out the staff’s thoughts and opinions below!
“When Doctor Aphra was initially introduced in Darth Vader issue #3, it didn’t take long for myself and many others to fall in love with the character. Twenty plus comic issues since, the enjoyment and excitement that comes from her being on the page hasn’t waned and has only grown even more and more. It recently reached a fever-pitch since the dual revelation she survives her time with Vader and will have her very own ongoing series, but for those who have yet to enjoy her special brand of snark, wit, and love for weapons, you’re probably wondering why exactly fans like myself are so damn enthusiastic this rogue archaeologist persists.”
“…Governor Pyrce has pretty much been a non-entity in the show and suddenly in her first appearance not only is shown as practically an equal to Grand Moff Tarkin but she’s standing right by Thrawn’s side after she demanded he be brought in. How did she go from a character barely mentioned in season one, rarely in season two, to hanging out with the two most recognizable Imperials who have names that start with “T?” After some careful research, I’ve uncovered ewok crumbs leading straight to the answer…”
“The original Darth Vader series, written by Kieron Gillen, with art by Salvador Larroca and Edgar Delgado, was part of the initial launch of Marvel’s return to Star Wars comics in 2015. After it ended over a year and a half later, October 2016, its epic story of betrayal, Sith machinations, and surprisingly well-laden doses of dark humor ensured it would live on in the hearts of fans new and old for years to come. Chris and I sat down to ruminate on the now classic series discussing some of its various components that have led to its undeniable legacy in Star Wars comics as a whole.”
“…how can the new unified canon make the Grand Admiral character fresh and unique while still honoring what came before in Legends? Can he really be so artistically done again? This article has my answers to those questions.
“Could Star Wars still be alive as a franchise in 2115, because as evergreen a property as it may be, can it really survive another 100 years, especially as is? Could those behind the franchise finally run out of ideas, letting Star Wars fade into everyone’s great-great-grandparent’s distant memories or could they have taken certain measures to ensure its survival for 100 more years? Enter ‘The Great Reboot of 2100.'”
“Over the past decade(s), I (and many other fans like me) have watched RotJ and had a subconscious and/or conscious knowledge of what was to come thanks to the EU. Now, with the slate wiped clean, watching RotJ feels like seeing it for the very first time.”
“While “descent into the underworld” isn’t exactly a step in Joseph Campbell’s Hero’s Journey, which George Lucas worked with extensively for the Original Trilogy, it fits within other versions of the monomyth. But as a motif, it’s been widely used, and most famously depicted in Dante’s The Divine Comedy: Inferno, something at least one of the below examples emulates. And in fact, there’s a wide possibility of moments in the greater Star Wars saga that could represent the descension motif and I chose the ones involving literal representations of the underworld like chutes, shafts, and sinkholes.”
“Star Wars Ring Theory: The Hidden Artistry of the Star Wars Prequels is one of those unique things only a fanbase as passionate as the Star Wars universe can conceive of. If you haven’t read this multi-page epic dissection of the first six films in the saga, do so now and then return here for an interview with the author, Mike Klimo. If you don’t want to read it just yet, stick around and I’ll try to explain why you should read it no matter what level of fan you may be of Star Wars.”
“It’s not very often I have Force visions (see: never), but I just recently had a dream that I could easily mistake for one. This dream, despite all the Rogue One news and trailer dropping or all the hours I’ve sunk into No Man’s Sky on PS4, was about the ending to Episode VIII. In the interest of posterity, and just seeing if maybe somehow this dream was actually a prophetic Force vision of the future, I wrote it all down so when the next saga film releases in December 2017, I could compare. I’ve decided I’ll share that dream with you all as well…”
“Imagine this: strapped in the top turret of the Millennium Falcon, the ship shuddering from the projectiles of enemy craft, you’ll have to actively ignore Han Solo bellowing obscenities after each hit to keep your concentration. You swivel the turret, attempting to keep the asteroid shaped objects currently assailing the Falcon within your targeting frame.”
“…as this article’s title suggests, it’s not going to be about spoiling TFA, instead it’ll be discussing the advantages of keeping the in-universe history which leads up to TFA a mystery. Because if the 30-35 years post-Return of the Jedistays a mystery until the opening crawl and even after the credits roll for TFA, the film has a chance to emulate a feeling similar to when viewers were first introduced to the galaxy far, far away (be it 1977 or their first viewing of the films). Who doesn’t want that?”
“It got to the point where I was hearing “Let It In” replacing the words “Let It Go” in Idina Menzel’s song and that’s when it hit me: the only way to get the two unconnected in my head was to go all out and completely redo Elsa’s showstopping number “Let It Go” to become Rey’s breakout hit, “Let It In.” Maybe not the best idea, but here are the results.”
“…a show focusing on the Rule of Two, and how over the generations Bane’s simple plan managed to survive long enough for Palpatine to use it to destroy the Jedi. Here’s why I think it would work so well as a TV series.
George R.R. Martin…made the simple point that “the show is the show and the books are the books.” I’m unsure if this has been addressed or mentioned already, but since it’s the first I’ve heard of it and differences between the show and TV series are of constant fascination to fans, I wanted to share my thoughts on just what Martin’s words mean going forward for both Game of Thrones and A Song of Ice and Fire.